This Wednesday May 13 The Echo and Dub Club welcome true originators and master like..
The Expanders have been faithfully laying down the 70’s style roots reggae harmonies like no..
Dave Wakeling has been keeping the flame alive a long time now stateside with his..
There is a new live Skatalites album on the horizon. Just got the press release..
A little intro. David Hillyard is well known to general readers of this blog. He’s a very long standing OG member of The Slackers, founded his own Rocksteady 7, played on the now classic Hepcat album Out of Nowhere and even before that he was playing in San Diego as a founding member of the Donkey Show. It’s an understatement to say he’s had a long music career let alone one devoted to the likes of Ska. He of course has a distinct and passionate perspective on music in general and pointed thoughts on the state of Ska in the U.S. having toured here for over 20 years.
Laurel Parker (Mobley Street Productions) recently directed a new video for Roy Ellis released on Liquidator Music. I’m a big fan pf Liquidator. They have a management arm that deals with a bunch of Jamaican legends. They of course release some of the best music coming out right now too. Toni is the man in charge of this magical musical bus. Laurel thought it would be fun to get him to answer a few questions about Roy, the label, himself and the state of digital music today. So get on the bus gus and let’s ride!
They did it! Courtesy of the DanceCrasher site comes THE TOP 100 ROCKSTEADY TUNES OF..
As a record collector itâ€™s always a pleasure to meet like minded people. We can..
Dub is the avant-garde verso of reggae, created by manipulating and reshaping recordings using studio strategies and techniques. While dub was one of the first forms of popular music to turn the idea of song inside out, it is far from being fully explored. Tracing the evolution of dub, Remixology travels from Kingston, Jamaica, across the globe, following dub’s influence on the development of the MC, the birth of sound system culture, and the postwar Jamaican diaspora.
There were two sides to Keith Hudson’s musical career, his producing and his singing. Production wise he was top flight and he enjoyed considerable success from the late sixties well into the 70?s. As a singer he was at best an aquired taste and it’s no great surprise that he recorded only for himself and no other producer employed him for this “talent”.